How To Set Up A High Hat
Setting up your rare hat stand is easy if you know how the features work and what can happen. What I thought was a straightforward mission when first time drum kit owners turned out to be more involved than I thought. My dad picked it up on his way home from work, and I’m so glad I finally have a full drum set. It was a Slingerland from the 60s or 70s and I still use it to this day.
My biggest mistake
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My cousin told me he would come and help me set it up, but I assured him I had it under control. He stopped anyway, and that’s a good thing because I installed the wrong hi-hat. Each lock nut is on either side of the cymbal, and I put the last unloosened nut because I didn’t know what to do with it. This was the first thing my cousin corrected me. The stick did warp in transit, and I will never forget how frustrating it was to play with a rare hat holder that occasionally jammed. I will share how I avoid this problem in the do’s and don’ts listed below. In fact, it went missing because it broke. I fixed that problem by connecting a piece of wire to the pedal where the hinge is attached and connecting it to the foot of my throne.
Summary of setup steps
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Parts of the tall hat holder
Do’s and Don’ts
“Do’s and Don’ts” is a combination of ways to avoid malfunctions and get good sound from hi-hat cymbals.
1. Adjusting the foot
DO make sure that the pedal anchor is not resting on the ground and bearing too much weight. When the pedal anchor touches the ground too much, the bracket will become unstable and wobble in different directions. This foot adjustment needs to be precise because you want the spurs to sink into the mat a bit without the anchor bearing too much weight and downward pressure. DO NOT place your foot to anchor the pedal too high. Otherwise, if you overcompensate and anchor the pedal too high off the floor, the downward pressure as you push the pedal down will create additional sideways movement. This movement will put stress on the pedal anchor and other components over time which can lead to breakdown.
2. Use Spurs
The spurs should be placed to secure the mat and support the pedals Read more: how to build your own skateboard Once the height of the anchor is set, the spurs can be adjusted to stick more or less to the floor. This feature is a nice tweak that gives a lot of stability. DO NOT let the spike damage the wooden floor, the spike will damage the floor. They are designed to grip a rug or rug, which is what you want to keep all your hardware in one place.
3. Be gentle with the stick
DO protect it from bending, especially during transportation. I removed the screw lever and slid the top tube out to protect both the rod and the lower hi-hat cymbals from damage. Leave the clutch at the top of the rod, and most of the rod will be protected by the hose. This kickstand fits neatly in my club bag, which is where I put it when I’m not using it. DO NOT remove or cut through the threads connecting the top of the rod to the internal mechanism. thread it into the connecting rod receiving nut. These threads are small and need to be in good condition for the holder to last long.
4. Find the orchid you want
DO put the lower cymbal first. This seems obvious, right? But the simple problem is that cymbals manufacturers often design the bottom hi-hat to be slightly thicker than the top. Some patterns are matched and some players buy two tops or two bottoms. I use a Zildjian K on top with a Custom A on the bottom. DO NOT limit yourself to only hi-hat cymbals. Any type of cymbals can be used. Lots of drummers are experimenting with impact cymbals, stacks, and non-cymbal items, like Terry Bozzio’s roto tom pieces. For my remot hat, I use 11” Zildjian K Custom Hybrid Splash for the top and 12” Wuhan Chinese for the bottom.
5. Tighten the clutch nuts
DO experiment with how much the hi-hat cymbals move. The movement of the cymbals can add to the sound you may be looking for. I like a little movement, while some players like a lot. loose nut. It happens to most people at one point or another. When it happens, you will lose control of raising the top cymbals from the bottom
6. Place the height adjustment tube on
A memory locking system SHOULD be used to maintain consistency Once a height adjustment is made, use a memory lock for consistency each time you set up the hi-hat holder If the stand yours doesn’t have a memory lock, the hose clamp also works. But I recommend investing in a good kickstand with a memory lock. DO NOT set the hi-hat so low that you cannot reach the playing surfaces well. You want to be able to play hi-hat with the tip of the stick on the top of the cymbals as well as the edge of the cymbals with the shoulder of the rod Read more: how not to lose your mind For more information on hi-hat techniques , check out this article with 8 techniques to achieve good sound.
7. Using Angle Screws
DO adjust the bottom angle of the cymbals for a better “chick” sound. The sound of crow’s feet when you quickly bring the cymbals together is one of the most important functions of a hi-hat stand. If the air is pushed out quickly and evenly around the cymbal, the cymbal can partially cancel out the sound and create a suction. Adjust the angle of the lower cymbals to avoid this. DON’T forget to place the washer under the seal so that it makes contact with the corner screw. Sometimes we lose parts that we didn’t know were important. High hat racks will work without a seat washer, but the angle adjustment screw works best with a spot washer.
8. Add percussion to settings
DO choose sounds that will open up your palate. Adding a tambourine or ching bell (the jungle is on top of the cymbals) is a safe place to start because that’s the sound a lot of songs use. Think beyond safety and think about adding a cowbell or sound block to the side of your stand. Or, you can drop some goat’s claws on top of the cymbals to get dirty. For center clamp designs, no problem. Tambourine has a clamp on the edge that can warp the bar, especially if you hit the tambourine while it is being clamped on the bar.
9. Clamp on Snare
DO make sure that your rack can withstand the load of the trap. Choose a trap that is not too heavy. If your stand is a light weight design, you may be better off placing the trap on a stand with a trap. Some traps are designed to clamp to a rack, and some have a heavy duty duty to manage tension. designed to be held without bending the tube of the cymbal holder. The problem usually comes from the clamps being loose because they are difficult to tighten. Pliers or wrenches will be used to tighten the wing nuts on the clamp and the auxiliary lever, which combined with poor clamp design can warp the hose.
Epilogue
The tall hat holder is one of the most important pieces of hardware for your drum set. If it’s not set up properly, your potential will be limited by a stand that loses its sound, moves in awkward ways, or falls apart while playing it.
“7 Mistakes You Can Make When Setting Up Drum Kits” Drum Kit Setup – 10 Steps You Don’t Want to Miss Read More: How many hours does it take to learn a new language if you’re a native speaker?
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