How To Play Up And Down The Neck Of A Guitar

If you’re like every other guitar player, you want to know how to play the pentatonic scales up and down the neck. When we first learn the pentatonic scale on the guitar, it’s usually done position-wise. We learn one pattern, then the next, etc. There’s nothing wrong with this approach, but if we don’t expand on it, we’re bound to feel trapped inside the ‘box’. down the neck of the guitar. In this lesson, we’ll look at some easy, immediate ways to start playing the keys.

1. Run the scale horizontally up the neck

When learning pentatonic patterns, we often play each position of the scale along the neck from the 6th to the 1st and back. For example, in the diagram and tab below, we see the first position of the pentatonic A played vertically.When played vertically like this, you see the following pentagrams:While there’s nothing wrong with this approach, it can teach you to play in a single position. of the scale.Now we can take the same lick from the vertical example, apply it horizontally and get the following pentagram running up the neck:This method is not limited to a specific location. It can be applied to any position of the pentatonic and from any starting point in the scale. Its essence helps you move through the pentatonic scales up and down your neck Read more: How to get liquid out of the charging port You can also do any of your favorite running activities contained in a single slot unique mind and turn them into neck runs.

2. Play lick pentatonic in octave

Playing in octaves is probably one of the easiest ways to move between the positions of the pentatonic. It’s as simple as taking the same lick and playing it one octave higher, for example, see the following diagram outlining 3 octaves of the base note, the 3rd, the 5th.These octave shapes pass through the first 3 positions of the major A pentacle. We can take these shapes and create the following shapes:Another simple idea is to do the same lick in the same place and move it to the second octave (over 12 frets) on the fretboard. scale below and above the 12th key.Using this position in both octaves, we can play something like this:It’s a simple concept, but it’s really useful. Not only does it make you move out of position on your neck, but it also affects your play. We don’t play the same way we raise the neck, we lower the neck. So while you’re using the same initial lick, it’s likely that you’ll find a way to finish it or emphasize it differently, especially if you’re switching back and forth between the two positions.

3. Use original notes to anchor reposition

Read more: how to build a fishing boat in minecraft If you’ve read the lessons on how to use the root note to navigate the major and minor scales, you know that the base note can be used as a reference point for scale samples. This allows you to use native notes to move between scale positions. For example, see the following lick:This lick is based mainly on the first position of the scale and takes the 3rd tone from the 2nd position before ending at the base on the fifth fret of the first string.However, we can target the original note in a different location to allow us to move away from the first location box.So instead of landing on the base note on the 5th fret of the first string, we could end the lick on the base note on the 14th fret of the 3rd string, putting us in fourth.Both licks contain the same notes, but the second lick requires repositioning up the neck, taking you out of the first position’s pentagram. of the scale. In general, this method generally works well with any chord, so the track you’re playing will affect the notes to target.

Pack (again)

In this lesson, you’ve learned three easy ways to play the pentatonic scale up and down the neck. The examples given are very simple, but the concepts can be greatly expanded and adapted to any licking or running action. Read more: How old do you have to be to skydive.

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