How To Paint Seascapes In Watercolour
The beach seems like a relatively simple subject to draw on. It’s just sand, sea, sky, rocks but marine landscapes can cause some unpredictable complications. In this post. I’ll show you how to paint sea and beach scenes with watercolors, and help you identify and solve some of the problems you’ll encounter in the medium.Beaches and seascapes are one of my favorite subjects to draw. I’m so lucky to live near some of the truly stunning unspoilt beaches in New Zealand, and the luminous environments of the watercolors are particularly well suited to this theme.
Choose a palette for the watercolor landscape
Contents
Your palette will definitely be different from mine, so I’m giving the following palette list as a suggestion only. The color of the sea water depends on a multitude of factors. For example, where I live, seawater can range from cool gray and green to deep turquoise and plum purple depending on the weather, time of year/day, sand color and amount of vegetation and minerals. in the country . So you’ll need to decide on a color scheme that’s right for you. My basic palette for painting beaches and seascapes is as follows. I tend to support Winsor & Newton and Daniel Smith Good watercolors and I linked to where you can buy them from Amazon.Blue Cerulean: Winsor & NewtonWOMEN | Daniel SmithUltramarine Blue: Winsor & Newton | Daniel Smith Blue: Winsor & Newton | Daniel Smith Lemon yellow: Winsor & Newton | Daniel Smith Cadmium Yellow: Winsor & Newton | Daniel Smith Raw Sienna: Winsor & Newton | Daniel Smith Burnt Sienna: Winsor & Newton | Daniel Smith Burnt Umber: Winsor & Newton | Daniel Smith Paynes Gray: Winsor & Newton | Daniel Smith Alizarin Crimson: Winsor & Newton | Daniel Smith Dioxazine Purple: Winsor & Newton | Daniel Smith Please click here for my full list of recommended art supplies. I tend to avoid Pthalo Blue as it is such an artificial looking blue that I feel that I will have to tame it considerably but many other painters will have no problem using it and doing so successful. So don’t take this as gospel.
Harmony and Contrast
Colors adjacent on the color wheel are called “Harmony”. Contrasting or “Complementary” colors directly opposite each other on the color wheel. Natural beach scenes tend to be richly harmonious and contrasting. Greens and blues, violets and yellows are often found in beach scenes and work well together. For more on color theory and color mixing, check out this post. how to mix-mix-watercolor the best wayPlan for these contrasts and harmonies by recognizing them and choosing a color palette that matches those strengths. You can change the whole mood of the picture by tilting the whole picture towards the cooler or warmer side of the color wheel. Or by making a large area of warm or cool colors dominate your painting. Reduce the amount of green and add more blues and violets to the cape while maintaining strong warm colors in the foreground. I’m trying to strike a delicate balance between harmony and contrast.
Sea painting
One of the general rules of atmospheric perspective in landscape paintings is that elements become lighter in color the further away they are. For example, distant fields will be lighter and greener than near fields. However, if you observe the sea, you may notice that this rule is often reversed. See the example above. The land beyond had become pale and misty, but the sea was growing blacker. The reason for this apparent contradiction is due to the nature of the sea, which can be simultaneously transparent, reflective and non-transparent. The visual properties of the sea depend on the position of the sun, the color of the sky, and the clarity of the water. Clear shallow water allows more of the sandy bottom to be seen and so on pale sand the seawater tends to be lighter in the foreground.
Draw waves & ripples on water
Read more: How to replace sliding wardrobe doors with standard doors Take a flat brush and paint graduated cleaner on dry paper, starting from dark green to light green at the bottom, wait for the paint to dry completely. Indicate breaking waves by leaving white gaps in your wash. You can cover up white areas with the masking solution if you want, but I usually find it easier to just leave well-arranged gaps in my wash. Once it’s dry, take a round brush and draw ripples in small curved strokes on the graduated wash. Create the illusion of depth by making the strokes thinner and smaller as they recede into the distance.
Sand painting: Color and texture
Sand needs to be handled with care. Persuasive portrayal can be a surprising matter. Sand can vary greatly in its value, especially when wet. It can range from very dull warm neutrals to cool blues and pale pinks and violets. Even so, it is almost never yellow. The colors that I tend to favor sand are Raw Sienna, Burnt Sienna and Raw Umber and Burnt Umber with various combinations. Raw Sienna and Burnt Sienna need to be handled with special care as they can easily become too strong. Start with a very weak rinse. Raw Umber is probably the safest option but still works best for very dilute washes. As always, in watercolor you can easily add more but not so easily take away. Brush paint and splatter effects from an old toothbrush are great ways to add texture to sand and rock.
Wet sand painting
Just like the surface of water, wet sand reflects everything above it like a mirror. Although the colors and values will be less intense in reflection, depicting wet sand and especially the transition between sea and wet sand can be a challenge for a watercolor artist. When the sea becomes shallower and meets sand. The reflective blue of the sky tends to become a warmer purple.
However, wet paint to wet color with minimal brushing to create reflections in wet sand In reality, painting a sand color like Raw Sienna next to a navy blue such as Ultramarine will tend to create streaks green. This illustrates how paint often behaves completely differently than pure light. To prevent this from happening, always paint wet to wet and let simple colors blend together with as few brushes as possible. This way the colors will blend but not combine and form a ternary green. At the transition point of the sea and sand add a little red to push the blue to purple. To successfully do this conversion can take some time and practice because if the paper is oversaturated, the mixing will be completely uncontrollable.
Rock and stone painting
Beach sketch with warm and cool neutrals for the rocks
When you draw rocks, you can first visualize them as simple geometric blocks, then add more complexity. Consider the direction the light is coming from in your painting and determine which sides of the rock are facing directly into the light and which are facing directly away from the light, they will form high contrast hard edges. Light hits the rock faces between these two extremes. The arrow in the illustration below indicates the direction of the light. Which will usually be from above. The darkest shadows of all are those cast by rocks.
Create strong contrast
Combining light and dark values to create a strong contrast is a technique well suited to watercolors. Try to find ways to include strong contrasts in your beach scene. Choose a painting that has a point of view into the light to create natural shadows. The gathering clouds, the reflection of the sky in the wet sand, the sparkling light reflected on the sea water are all good candidates to create drama and excitement. Waipu Strait. On Arches 300gsm. I mainly use two brushes. A no. 6 round brushes and one half inch flat brush. I tried to include as much dramatic contrast as possible by painting directly into the light and positioning the figure for maximum contrast. The shimmer effect on the water is achieved by dragging a nearly dry circular brush horizontally across the paper to create white space for the texture of the paper.
I like to create small “Thumbnails” to experiment with contrasting values before thinking about adding any color. See examples below.
Seagull painting
What beach scene is really complete without some seagulls? I always try and include a few even if they’re just symbolic, i.e. quickly rendered in mid-flight with a few simple curves from a rigger brush. I always try and change them up in some way, though, because I don’t want them to look too ordinary. While you are there. Why not register? I upload demonstration videos as often as once a week.
My YouTube video of watercolor seascapes
That concludes my post on how to paint sea and beach landscapes with watercolors. My final tip is really just to go out there and try a little Plein Air beach painting if you haven’t already done so and aren’t just staring at the pictures. I do both, and I tried to include some of my Plein Air sketches in this post to hopefully encourage you to do so. Okay, sand will get into your paint, and wind can be a big nuisance but it can make for some fresh and surprising paintings. If you’ve had success using a color scheme completely different from mine, I’d love to know what you use. Let me know by leaving a comment below. I always like to experiment with new ideas and suggestions.
If you found this article helpful. Check out my other articles on Drawing seascapes step by step and How to draw reflections on water.
Recommended watercolor seascape drawing book
Paint the sea and coast in watercolor with special effects
E John Robinson’s book is one of the first watercolor books I have ever read, he is a master of many media and this book is one I would highly recommend.Buy Paint the Sea and Coast with Watercolor Special Effects from Amazon
Buy Create Impressive Coastal Scenery with Watercolors by Carlton Plummer from AmazonRead more: How to do push to talk on xbox
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