How To Make Rap Vocals Sit In The Mix

This is something I get asked often.“My biggest struggle right now is mixing. I have a hard time getting them to sit in the mix and still get the fullness and texture.” – Howard ClarkeRead: How to create rap vocals in a mix“Sometimes, no matter what I do with a certain instrument in the mix, I just can’t make it stable.” – Ambrose GautierThere are many ways you can interpret this problem. Let me give you a general scenario: You have a great song and a good record. it’s just kind of… fitting.But then there’s an instrument or a listening unit that is COMPLETELY out of place.Sometimes it’s the voice. Sometimes it’s just a part on a particular instrument. Sometimes it’s an instrument in itself, and no matter what you do (EQ, compression, reverb), it won’t be able to ‘sit’ well with the rest of the track. ). It’s distracting. We want our mixes to sound ‘balanced’, ‘natural’ and ‘even’. part doesn’t stick to the rest of the track, it bounces off us and ruins the listening experience. I will talk about some solutions to one of the most common problems in the mixing process. If you’re trying to make your voice sound like it’s on the radio, this is the guide for you.

Why does this happen?

There are millions of reasons why you might encounter this problem. Perhaps a part was recorded in a different acoustic environment (another room). but part of the sound is ‘sharp’ and ‘bright’.You can think of a song as a combination of instruments with their own part or pocket in the frequency spectrum.At the end we have the bass guitar and kick drum, then we have the vocals, guitar and some drums, followed by the high register instruments and the cymbals. Each instrument has its own frequency range that it covers and lies within.Image source When we have too many tools in one bag or part, it can get busy and cramped. These tools will then become more noticeable and will stand out in combination, as opposed to sitting nicely in their own little section. And as I always say: it’s much easier to solve problems in the recording phase than to try to fix them in the mix phase.Prevent superior response every time.Having said that, sometimes you are limited in your resources, time or space. You can’t always fix this problem before or during recording. problem all together.

Work according to the arrangement

Image Source Many times an instrument is not in the mix because the arrangement needs to work. Do not forget – a piece of music is only as good as the musicians and the track you are recording.When the song is written poorly, the parts clash and step on each other. This will quickly lead to a component that is out of alignment and out of place. Here is an example. You have a line where the lead vocals and lead guitar both have a clear melody. But these tunes have the same record.No matter how long you spend on frequency and reverb, these parts will clash!If you notice two conflicting parts when you start recording, resolve the issue before continuing.

Try a different tune

Image source Sometimes using a different guitar pickup can make a HUGE difference This is a great tip if you have two guitars playing at the same time. Use a bridge receiver on one guitar and a neck receiver on the other.This gives each of its guitars a unique tone and ambience. It prevents both similar and conflicting sounds. This concept doesn’t just apply to guitars. brand or play different. Try using different brands of plugins. Use different compression styles to give each instrument a different timbre. Give each instrument its own unique sound (even if it doesn’t sound great). That would be much easier than messing with the EQ in the mixing stage.

Consider the acoustics of the room

image source This is a very common problem that I see. Most of the songs were recorded in one room, but one or two parts are then recorded in another room and added.It tends to be guitar or vocals added after the drums have been recorded in a larger room. small room. They don’t sit together because you can literally hear different sounds in the room. The easiest way to avoid this problem is of course to record everything in the same room. But sometimes that is not possible or convenient.Or, use absorbent materials to eliminate as much sound in the room as possible, such as mattresses and blankets. You can learn more about home audio processing in this free course on recording vocals at home. You can also use a cardioid microphone near the sound source. This will eliminate a lot of sound in the room.

Spend more time leveling

Image Source While this is technically part of the mixing phase, it’s a very simple way to help a part sit properly in a mix.The smallest change can sometimes make a huge difference. You should spend more time on equalization rather than heavy effects like EQ and compression. Or perhaps the vocals were a touch too big. Experiment and trust your ears. This is a great tip in any case! Volume is one of your most important tools, right before EQ. Learn more about how to make vocals fit into the mix in this video:

If it’s too late, you can still fix it in the mix

Prevention and consideration during the recording phase are key. But of course there are ways to make something ‘blend’ using plugins.

Balance

Tip #1 – Make space for the guilty part by frequency groove. Vocals do not sit? Try clipping the guitars around 300Hz. Frequency division is much easier when you combine mono.Tip #2 – Freedom with high pass and low pass filters. Never solo parts – instead combine the filter with everything else that’s playing and increase the frequency until it has a noticeable effect, then reverse it a bit. This frees up more space for other components.Tip number 3 – Does an instrument sound too loud in your face and have too much presence? Find the fundamental frequency of the instrument using your ear or the histogram and apply a broad but subtle cut around this frequency range. Generally, this will be in the low midrange, between 60-300Hz.image source

Recoil

Tip #1 – Send everything to the same reverb using aux/bus send. This puts it all in one space, making your tracks sound more cohesive and natural. You can change the amount of reverb per track by adjusting the sending level.Tip #2 – Use reverb to create depth in your mix. If an instrument doesn’t fit, send more instruments to the reverb unit (as mentioned above) and lower the original track. This will make the sound farther away. If you want something to sound closer (usually vocals), send less of that sound to the reverb unit.Tip number 3 – Experiment with using a different reverb for the vocals to make them stand out more if they’re not at the top of the mix. Try a shorter reverb time or disc reverb.

Volume

Tip #1 – Here’s a great tip to get your vocals at the top of the mix. Send everything but vocals to their own aux and apply a very subtle compressor (only a few dB down). Main vocal side chain to this compressor. This will reduce the music by 2 or 3 dB each time the vocals come out. Remember to be subtle.Tip #2 – Use volume automation if balancing alone will not make something stable.Tip number 3 – Reduce the weight of the supports (with automation) after they come in to make space for the conductive parts. Harmonizing new vocals into the chorus? Start them a little louder to make their entrance noticeable, but then lower them to release the mix.

Turn

Tip #1 – If you have two instruments fighting for the same sound space, another option is to move them apart. Then they won’t clash and will sit in the better mix.Tip #2 – Instead of moving tracks randomly, use 50/50 Rotation.

Inference

It is done! Hopefully you have a better understanding of how to create vocals and instruments to match the mix. Before you get started, be sure to grab my new ebook, Stop Mixing Vocals Wrong. It will save you from making some destructive combo mistakes! Get it here for FREE: Read more: how to find the domain and range of multivariable functions

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