How To Draw A Raven With Open Wings
Video How to Draw a Crow with Extended Wings I also marked some shaggy feathers around the throat and above the beak.Read: How to draw a crow with open wings It’s time to perfect the body. I painted the tail feathers long, noting that they have a sharp and rigid look. The body hair is softer. To show this in the drawing, I used organic curved lines, edited the feet, added long nails at the end of each toe. The outline of the branch under the bird is also added in this step.
To complete the sketch, we will add the wing pattern. The feathers on the upper part of the wings are soft, short, and relatively small. The feathers in the center of the wings are longer and clearly bordered. Finally, the feathers on the lower part of the wing are longest with pointed tips.
Add ink to the drawing of a crow
I sometimes find it helpful to do a few texture sketches before proceeding to the final artwork. Take your time and experiment with techniques to find the best fit for your audience. These exploratory sketches can be pretty quick and rough. In the image below you will find my examples. I have analyzed many different types of crow feathers. In some ways, the softer feathers look like short fur or fur – we can mimic this texture by using intentional hatching.
In this case, our crow is a dark and deep subject. How many layers of hatching ink do we need to achieve this density? The answer could be “pretty much” depending on the tool you use. Thicker pens will require less layering, but can sacrifice accuracy and complexity. Smaller pens will require more layers, but with an additional level of control. It is easier to get a relatively solid black coating faster if we use a medium width liner, like 0.3 or 0.5. But the result may look rough because the lines are thicker.See more: Pen and ink drawing techniques
We are now prepared and ready to move forward. With one 0.1 ink lining, I marked the general contours of the crow. Just be aware that feathers create an uneven line of silhouette, so be sure to duplicate this in your drawing. When it comes to distinguishing feathers, especially in the wing area, I’ve found that groups of hatched tiles work better than just a ‘contour’ created by a single line. I darken the eye with rounded strokes to give it more volume. Of course, there must be a small highlight on the eye, so keep this when you add the ink.
Let’s work on the basic texture. With one 0.05 lining ink, I applied the expansion to the crow. There are long, soft, curly hairs on the neck and chest areas – features of the lines that accentuate this feature. Belly hair is smoother, so parallel-blooming groups are a good choice here. I added some slashes to the darkest areas (e.g. under the wings and tail feathers). Stronger. I give more volume to the legs, adding rounded strokes on the sides. The crow’s legs are usually a little lighter than the body, so don’t overdo them. The reason why I recommend using a thinner primer for this step is that it creates smooth streaks that translate as “gray”. They have a soft look without overloading the artwork. If you need more contrast and more depth, you can always add more ink marks.
Read more: Mountain Abbreviation: What It Is and How It’s Used Now it’s time to increase the contrast in the drawing. Let’s start with the crow’s head. 0.1 lining, I added some bulleted layers on top of the existing ink lines. Stippling can also be used if the purpose is to create the illusion of short, soft hairs. Dots and smooth value transitions are definitely friends. Eyes and beak as dark as feathers. I use stippling here to darken the values. The top of the head gets more light from the top, so I use less ink there. The first two sides receive special attention. I wanted them to be as dark as possible while maintaining a sense of volume.
In the same way, I started to blacken my body again. Dense expansion. The process of achieving this kind of depth and darkness with a liner or nib can be time consuming, but it is well worth the effort. Targeting the gaps between existing lines, some areas, like the hairs in the neck area, are still lighter in color. Crow feathers have a glossy appearance when caught in the light. The lower part of the body is in the dark, so we can’t see much detail there. Also, I made the core shadows in this area even deeper. I added some long, streamlined strokes to the tail feathers to bring out the texture.
With one 0.1 lining, I added layers of freshly hatched concentrated ink to our crow. Like I said, this process requires patience, so take your time. feathers, I left the ‘body’ of the feathers visible slightly lighter than the shadows dividing them. The upper parts of the wings receive more light, so the feathers there will have a slightly lighter value. [A Complete Guide] | Top Q&A
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