why is there no e sharp

This post contains affiliate links. We earn a commission if you buy a product from a retailer after clicking a link from our website. As an Amazon Contributor, we earn from qualifying purchases. Hey… wait a minute! If you look at all the notes of the scale, you’ll see this: C, C#, D, D#, E, F, F#, G, G#, A, A#, B, C. Where is E or B Sharp ? Read: why is there no sharp eThere is no exact reason why our current system of musical notation was designed as it is today without B or E, but one reason could be due to the way Western musical notation evolved with only 7 different notes in a scale despite having 12 total semitones. So 7 doesn’t divide evenly into 12, hence our current musical notationThat sounds pretty confusing-I’m going to try and diagram this so we can understand this as best we can. Honestly, I’m no expert on music history so we’ll find out together.

7 Scale Note: The culprit for Missing Sharp B and E.

If you want a great source to understand the history of how we made the current 7-note scale, make sure and check out this blog post from Drooble – it’s really comprehensive. 12-note scale from the beginning. When the music was refined and systematized, at first there was only 7 musical notes form all the notes in a scale before the notes begin to repeat. In other words, all the notes we thought of looked like this: So we found that we could break the track into 7 (uneven) intervals before the notes started to sound. sounds the same but higher (today we call it an octave).So how to answer this question? I think a schematic is in order.

The beginning of confusion

So when music was just beginning to be diagrammed and plotted as it is today with modern musical notation, we 7 notes when working. To help us visualize, think of an octave (where the musical note sounds the same, but higher. Like C4 to C5 in modern terms), like a river. ) is the top and bottom of the octave. And the time period is plank cross the river. This is where the confusion begins. Notice how the planks are uneven!This unevenness is what gives the major scale its distinctive sound. The intervals go like this: Read more: Why are trash cans so expensive Half stepFull step, Full step, Full step, Half stepIt doesn’t matter whether the first discovered notes make up the major scale, however, the bottom line is that the notes are most likely not to have the same logarithmic distance from each other. See the next part of the article for why. Although it is known that the distance between each note is different at the time they are “discovered” is still unknown, then what leads to the strangeness of our musical system.

The weirdness begins

Fast forward to today’s musical notation, the musician agrees that there are more than 7 notes between the two banks of the river and eventually Western musicians settled 12 total notes in the scale.The problem is we didn’t redo the existing music notation! Instead of starting from scratch and going from A to L (in my opinion, we should), we tried to combine the old system with the new system. So instead of adding letters, we decided to add a “hash sign” and “a sign”, as a way to describe the “halftones” between the notes. So we have a total of 12 notes, making into 12 intervals, which looks like this: 12 bridge notes are all exactly even. They follow the same logarithmic scale all the way to the end (2^(1/12)) scale. Now let’s compare these two bridges side by side: Let’s look at the two bridges and notice a few things:

• The starting point and the ending point are the same– in other words, an octave is the same distance on a 7 scale as on a 12 note scale
• Bridge the C major scale (right) against the 12 scale according to this model: 2 games, 2 games, 1 game, 2 games, 2 games, 2 games, 1 game.

So, back then, musicians had the problem of where to add 5 notes to the original 7-note scale? There is no space between E and F and B and C, but there is room for another note in between the rest.Thus, one possible reason we don’t have E# or B# today is because new music systems have to be designed to work with older music systems.

Is B Sharp the same as C?

So you might be wondering, if there’s no B stroke, why do you sometimes see it in music? Read more: Poitoucharentesinphotos | Top Q & AWell, it’s true that there is such a thing as B# and E#, it’s just that they have the same notes as C and F. That’s right, when you see a track that says B#, it makes a sound exactly the same as if you were playing C. In fact, the way we organize our music now depends on whether they are E#s and B#s, all of which are part of how all the notes interact together. think of a chroma that is more than half a note, but a half tone instead.A semitone is the interval of an interval in a 12-note scale. 12 notes = 12 semitones.So when a letter note has a timbre, like C, it means that C# is half as high as C. Otherwise, a flat note is half lower.What is the purpose of E# or B#? Why do we need multiple names for the same note?The answer is part of the beauty of the fifth circle. Check out Musical-U’s website for an in-depth tutorial on the circle of fifths and how all the notes work together.

What if the original 7-note Scale had equal intervals?

So back to our bridge analogy, what if the original 7 notes were the same (logarithmic) distance (2^(1/7)) apart? In other words, what if only 7 notes in the scale were equal? (See Wikipedia for more details on equal temperament) In other words, what if the bridge looked like this: To satisfy your curiosity (actually, probably mostly curiosity) my guess), here’s an audio clip of what it would sound like if all the notes were the same logarithmic distance apart: equal 7-note scale The notes don’t really match the notes we’re familiar with . But it sounds interesting! Not completely satisfied but certainly very enjoyable. That makes sense in the old days without computers how hard it was for us to figure these things out. fall in love | Top Q & AC Key Scales

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