why is the walking dead so bad

Last night, the eighth season of AMC’s The Walking Dead wrapped up its year-long “All Out War” storyline with a finale where our longtime hero Rick Grimes led the people of I beat Negan & Co. It’s a rare moment of victory, in the middle of an epic tale that often tells of humans killing each other while on the run from zombies. And if ratings hold steady with the show’s recent average, when repeat time and DVR are factored in, about 10 million people in the US will see the man with the stick grab his only dessert. . (Whether his “dessert” is “just” or not, of course, is a matter of opinion.) In this day and age, those are hit numbers – especially on TV. basic cable channels, where TV series like The Americans can run for years and rarely top million viewers per episode. As a business, The Walking Dead is doing well, thanks. There are no rumors of a cancellation. In fact, even with host Scott Gimple stepping aside for Angela Kang’s successor, the producers are still talking about the five-year plan, not the end game. obvious decline. During its first six seasons, The Walking Dead grew in viewership year after year; while critics were concerned with the pacing or questioning some of the confusing plot points, they generally considered the show a must-see. All of that has changed, since the premiere of the weary, sad Season Seven – you know, where Negan knocked beloved characters Abraham and Glenn to death. Some famous TV columnists have given up writing about TWD altogether. Ratings have steadily dropped from Season 5’s peak of about 15 million per episode. The once shrill humming became a low groan of exasperation. On any given week, The Walking Dead is capable of delivering compelling, emotional, and provocative episodes. So why did the last two seasons generally have such a grim tagline? first and foremost. He’s the hero in the first episode, and unless something serious happens, he’ll continue to the end of the series. every element of the story down to this character’s personal development becomes an anchor in the worst sense of the word. It is holding the program, not making it stable. Even if Negan does murder Glenn, we won’t get to witness the death until early next season, because – according to Gimple – that would detract from what really matters: Rick’s arc. expensive | Top Q&ABut you know, what if there wasn’t a lot going on with this guy? Rick isn’t particularly astute or thoughtful, and if this season has proven anything, much of his success has been down to luck. Even in this year’s finale, his army was lured into a trap, and would have been wiped out if their old friend Eugene hadn’t been secretly sabotaging the Saviors’ weapons. Honestly, it’s getting harder and harder to understand why anyone would follow Rick – including the people who wrote the show.During the heyday of TWD a few years back, Carol was easily the most compelling survivor to watch week after week. While masterfully mimicking (and subtly mocking) the gentle wife and mother she once was, she’s secretly Rick’s most ruthless agent, silently eliminating obstacles. And when she meets Morgan, the cane-wielding passerby from the pilot in the series, who has vanished into the depths of nihilism and has become respectful of human life – a trait that automatically marks him as a dangerous, disposable responsibility in her eyes. So what happened? Carol is torn apart by a sudden and strange story where she falls in love with a neighbor, and becomes worried that her newfound attachment will render her ineffectively weak. Not long after, one of Morgan’s favorite students is brutally murdered, sending him back into a murderous rampage. Okay, more so, the show develops evil characters like Carol and Morgan — and Jesus, and King Ezekiel, etc. The Walking Dead has always had a great cast, but viewers have been trained not to too attached to any of them… not just because they might die, but because it’s only a matter of time before they become so diluted that it doesn’t exist. Part of the “make it all Rick” problem for this show is that for a long time, villains have been largely defined by how they both resemble and don’t look like our heroes. After trying to create the ultimate Sheriff-Grimes antagonists in Governor, The Walking Dead invested heavily in Negan as the biggest of the Big Bads’ worst villains, who covers every philosophical conundrum and good point that makes up the hero of this story. He is. The character was teased for half a season before he finally showed up; and since he arrived, he’s had a healthy amount of device time, space occupation in the past could have been taken up by… oh, Daryl, or Tara or Aaron. Anyone, really. Fill in the blanks with whatever name you want.Jeffrey Dean Morgan did a great job playing this character; With his inspiring vocals, cheerful vulgarity, and ingenuity, he is one of the most memorable foes in television history. But perhaps to justify how much Dead relies on his monstrous personality to bring some energy to an episode, the screenwriters pivoted between making him the Ultimate Evil. and make him a lovable half. And while trying to break the Negan, they let the other elements atrophy. Rick keeping his nemesis alive for another season could (at least) end up being one of his worst decisions – for The Walking Dead’s overall story alone, much less. against the community he swore to protect.Read more: Why scorpios is hated But still – there are a lot of terrible “conflicts” including two people with opposing views just standing around and grumbling at each other. By length. Usually in dull and/or dark locations. The screenwriters seem to think this is necessary for the film. Muted dialogue scenes help to breathe easier and clarify where everyone is. But the characters almost never talk about anything new. They’re having a lot of the same debates they did six seasons ago, when it’s all camped out on the ranch: staying safe, planning for the future, taking into account the real threats of captors Bullying violence, what is good and bad. Means more, etc. Meanwhile, seemingly to ensure that as many people participate as possible, the actual narrative drivers – be it war, scavenging or construction – are scattered. and/or focus, so the whole thing is especially serious is that if there’s one thing The Walking Dead still really does well, it’s the action sequences – the bloody, tense horror. One of the things that was disappointing about this year’s finale was that it built up a real big ending battle before it could even begin, thanks to Eugene. The second half of the episode is mostly jibber-jabber. season, with host Chris Hardwick reflecting on what just aired alongside a rotating group of TWD writers, stars and superfans. Alpha Nerd’s portrayal of the comedian did an excellent job of completing the hour-long post-production task, especially when it came to fan enthusiasm. But it started out as a crutch for the creative team. After each controversial character’s death, the post-show panel can host a small party to soften the blow. Story points encountered like clutter or underdevelopment (remember Werewolves?) are interpreted outside the confines of the series itself. otherwise the pacifist Jesus would allied with Maggie in a long-term plan to kill Negan. And executive producer Robert Kirkman (who also created the comics) said Rick’s decision to keep Negan alive was important to his film because he was the one who “chosen life”. It hardly matters whether any of this is backed up by what’s actually been scripted and staged. What began as a humble meeting to exchange reactions and weigh plot points – the TV show’s equivalent of post-air Twitter chat – has turned into the ultimate case of crime. The final mistake in narrative art: telling instead of showing. While TV Walking Dead revolves around some of the details of Kirkman’s comic book series – changing which characters are killed, adding brand new heroes and villains – the larger plots are more or less the same. . Prison, Governor, Alexandria, the Saviors – all of that straight from this site. So here’s some bad news, guys: If the movie continues to adapt Kirkman in a relatively honest way, there are tougher roads ahead. Without venting too far into spoiler territory for non-readers, the challenges Rick and his friends face in comics in the post-Savior War era are similar to those we’ve seen so far. see. There is much death and destruction to come; a new formidable enemy to face; a new cycle of self-defeating internal squabbles. Season 8 ended with some hinting that infighting would at least continue to be an issue, as Maggie is now furious with Rick for sparing Negan’s life. their source material. But Kirkman kept churning out the Walking Dead comics, month after month. Most dramas that have been broadcast for a long time, with this kind of audience bloodshed, will come to a conclusion. This car though was following an unfinished road, and so it continued to trudge ahead, mindlessly wreaking havoc. Read more: Why do I vomit in the morning

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