Maud Lewis | Top Q&A

Maud Lewis (March 7, 1903 – July 30, 1970) was a Canadian folk artist from Nova Scotia. She remains one of Canada’s most popular folk artists.

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Early life

Lewis was born Maud Dowley on March 7, 1903 in Southern Ohio, Nova Scotia, the daughter of John and Agnes (Germain) Dowley. She suffered from juvenile rheumatoid arthritis. In 1935, her father died, and in 1937, her mother followed. As was typical at the time, her brother inherited the family house. After living briefly with her brother, she moved to Digby, Nova Scotia to live with her aunt. Dowley was introduced to art by her mother, who instructed her to make watercolor Christmas cards for sale. She started her art career selling hand-painted and hand-painted Christmas cards. Maud gave birth to a daughter, Catherine Dowley, in 1928. Local Emery Allen was the father of her child and the love of Maud’s life. In the midst of the scandal of giving birth out of wedlock, he abandoned her. Her daughter Catherine tried unsuccessfully to contact her mother later on, but she was never accepted by Maud.

Map of Maud Lewis

Marriage

Dowley married Everett Lewis, a fish peddler from Marshalltown, on January 16, 1938, at the age of 34. According to Everett, Maud popped up on his doorstep in response to an advertisement he had advertised. Posted in local stores looking for a “Stay or Keep Home” for a forty year old bachelor. A few weeks later, they got married. They moved into Everett’s one-room loft in Marshalltown, a few miles west of Digby. This house will act as Maud’s studio, where Everett will do all the housework. Lewis lived most of her life in poverty with her husband in a one-room house. The house is now located in the Art Gallery of Nova Scotia in Halifax. Maud Lewis and her husband go to the street fish vendors every day, carrying Christmas cards she has drawn. She will sell the cards for 25 cents each. These cards became popular with her husband’s clients when he sold fish door-to-door and encouraged her to start painting. She started painting on various surfaces such as pulp board (beaver board), cookie sheet and Masonite. Lewis was a fine artist and more or less painted on every available surface in their little house: walls, doors, breadboxes and even the stove. She’s completely covered in plain patterned commercial wallpaper with sinewy stems, leaves, and flowers. Everett encouraged Lewis to paint, and he bought her her first set of oils.

Pictures

Read more: Who is jerry dayton lizerMaud Lewis uses bright colors in his paintings and the subjects are usually flowers, cows, horses, birds, deer or cats. Many of her paintings feature outdoor scenes, such as Cape Island boats bobbing in the water, horses pulling sleds, skaters, portraits of dogs, cats, deer, birds, and cows. Her paintings are inspired by childhood memories of the landscapes and people around Yarmouth and Southern Ohio as well as Digby locations such as Point Prim and Bayview. Christmas cards and calendars are also influential. Most of her paintings are quite small – usually no larger than 8 x 10 inches, although she is known to have done at least 5 24-inch x 36-inch paintings. The size is limited by how much she can move her arm. She mainly uses wallboards and tubes of Tinsol, an oil paint. Lewis’ technique involves first coating the board with white, then drawing a contour and then painting it directly out of the tube. She never mixes or blends colors. Maud Lewis’ early paintings from the 1940s are quite rare. A large collection of Lewis works can be found in the Art Gallery of Nova Scotia (AGNS). AGNS occasionally displays Chaplin/Wennerstrom shutters (now part of the Clearwater Fine Foods Inc. collection). This collection includes 22 exterior shutters that Lewis did in the early 1940s. The work was done for a number of Americans who owned a cottage on the South Shore. Most shutters are quite large, measuring 5 ft x 1 ft.6 inches. Lewis was paid 70 cents for a painting. Between 1945 and 1950, people began stopping at Lewis’ Marshalltown home on Highway 1, a major highway and tourist route in western Nova Scotia, and bought his paintings. her for two or three dollars. Only in the last three or four years of Lewis’ life did her paintings begin to sell for between seven and ten dollars. She gained national attention thanks to an article in the Toronto-based Star Weekly in 1964, and in 1965 she was featured on CBC-TV’s Telescope. Two Lewis paintings were commissioned by the White House in the 1970s during Richard Nixon’s presidency. Unfortunately, her arthritis has prevented her from fulfilling many orders due to her exposure to the country. In recent years, her paintings have been auctioned at increasingly high prices. Two of her paintings have sold for more than $16,000. The highest bid to date is $22,200.00 for lot 196 “A Family Outing”. The painting was sold at a Bonham auction in Toronto on November 30, 2009. Another painting, “A View of Sandy Cove,” sold in 2012 for $20,400. A painting found in 2016, “Portrait of Eddie Barnes and Ed Murphy, The Lobster Fisherman,” at an Ontario thrift store sold at auction for nearly three times the estimated price. its. The online auction ended on May 19, 2017 and the painting, valued at $16,000, sold for $45,000.

Live and die later

In the last year of his life, Maud Lewis stayed in a corner of his home, painting frequently as he paced the hospital. She died in Digby, Nova Scotia, on July 30, 1970 of pneumonia. Her husband, Everett, was killed when a burglar murdered him during a robbery at the house in 1979.

Maud Lewis’s House

After the deaths of both Lewises, the painted house began to deteriorate. In response, a group of concerned citizens from the Digby area formed the Maud Lewis Painters Association; Their only goal is to save this landmark. In 1984, the house was sold to the Province of Nova Scotia and transferred to the care of the Art Gallery of Nova Scotia (AGNS) in Halifax. AGNS restored her home and installed it in the gallery as part of a permanent Maud Lewis exhibition. Read more: who is rick reichmuth married to | The flagship Q&AA steel memorial sculpture based on her home was erected at the original site of her home in Marshalltown, Nova Scotia, by architect Brian MacKay-Lyons. A replica of the Maud Lewis House built by retired fisherman Murray Ross, complete with interiors, was built in 1999 and is located a few kilometers north of Marshalltown on the way to Digby Neck in Seabrook. Woolaver, The Illuminated Life of Maud Lewis and three National Film Commission documentaries of Canada, Maud Lewis – A World Without Shadows (1976), The Illuminated Life of Maud Lewis (1998), and I Have Like Maud Lewis (2005) ), a short film in which a group of 6th grade students are inspired by Lewis’ work to create their own folk art painting. at AGNS. A Happy Heart: The Maud Lewis Story was written and produced by Greg Thompson, the same writer and producer who brought Marilyn: Forever Blonde to Nova Scotia’s Art Gallery in January 2008. Thompson wrote the play. play a woman while in Nova Scotia in 2008; study of the life and art of Maud Lewis. The play ran until October 25, 2009. Screenwriter Sherry White wrote the screenplay for a Lewis film, titled Maudie. Maudie debuted in Canada at the 2016 Toronto International Film Festival. The film was directed by Aisling Walsh, and stars Sally Hawkins as Maud and Ethan Hawke as Everett Lewis. The film was shot in Newfoundland instead of Nova Scotia because the Stephen McNeil government eliminated the province’s film credits program. The film’s director found alternative locations in the Keels Bay and Trinity areas to set Maud Lewis’ young Nova Scotian.

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Presenter

external link

• Maudie on IMDb
• Maud Lewis Gallery – Art Gallery of Nova Scotia
• Some examples of Maud .’s work and short biography
• Maud Lewis – Short Biography
• Digby County Archives Information on Maud Lewis

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